Started in the mid eighties by Ray Buttigieg, as an outlet for collaboration and exploration into experimental music, the idea was never to have a fixed lineup, but rather a different collaboration combination on every project with a project-by-project basis.

From the modified timbres on “Six Essays for Analog Synthesizers” to the aural diaries of “Parabola” a portrait of two distinctive and diverse auralscapes that start from opposite places, but ironically finish in the same place. The Process project has evolved for more than two decades. Process is a process in itself, a continuing and ever-changing process, constantly and continuously creating the next imaginary creature raging and calming through the sounds.